A
u d i o T X S T L - I P Plus - F e a t u r e s & S p e c i f i c a t i o n s . . . |
AudioTX
STL-IP Plus IP codec provides for live audio transmission over
IP networks with transmission grade audio quality & robustness
and extremely low delays - as low as 5ms!
- IP
Codec for live audio: Transmit
and receive audio using point-to-point UDP or TCP/IP, and
point-to-multipoint UDP Multicast network protocols over
ANY IP Network - including private networks (LAN/WAN, MPLS), Point to point, Satellite,
Wireless networks, T1/E1, ATM or the Internet.
- A
single STL-IP Plus system can encode your audio separately using up to 6 different audio coding types and bitrates and can transmit audio on up to 66 simultaneous
connections using different network
protocols if required - TCP/IP or UDP. Using Multicast, audio can be sent
to an unlimited number of destination units. Up to 66 different multicasts can be generated each with unlimited receiving units. Audio receiver can receive from up to 5 remote units, each with different algorithms/bitrates for multiple levels of fallback and/or use SureFlow independently from transmission.
- SureFlow allows you to combine multiple different networks, routes or connections to maximise reliability. Up to 5 independent, redundant streams can be sent on one or multiple different networks. Each of the 5 streams is independently encoded and so can use different bitrates and audio coding types and each is independently decoded at the receiving end allowing STL-IP Plus to choose the best available audio for every single sample before you hear it.
- Exclusive Virtual Networks system allows you to set up mutiple IP addresses in STL-IP Plus , each with its own subnet, DNS and gateway/routing, allowing you to send different streams via different networks and/or separate control and audio data.
- AudioTX
STL–IP Plus works with linear (uncompressed) audio at
up to 24 bits and 96kHz sample rate, lossless compressed audio with up to 60% saving in bitrate, compressed audio
via built-in Professional Grade MPEG Layer 2 or MPEG Layer
3 coding/decoding, near lossless J.41 and DAT12, pro-grade OPUS encoding using the newest versions, ADPCM, G.722 or our extra Low-Bitrate
speech codec. Plus MPEG4 AAC, AAC Low-Delay
and HE-AAC v2 with the optional AAC Coding Pack for Stereo
audio from just 14kbps! and optional APTx Coding (Enhanced APTx, 16 and 24 bits) with the APTx
Codec Pack.
- Two types of switchable Forward Error Correction (FEC), separately switchable for every individual stream even with SureFlow/5.
- Up to 60 seconds of network jitter compensation
(buffer) where required (per independent stream) configurable in 1ms increments.
- Synchronous
transmission of serial ancillary data and/or contact closures
(TTL GPIO).
- 256 bit AES encryption (government standard) for your audio - to keep it private but also to guarantee the genuine source of your audio at point of reception.
- Built-in
silence and audio overload detectors.
- Backup audio can be received from alternate STL-IP sending units (up to 5), sourced from audio files stored within the unit (which can be remotely updated of course), from an internet web stream, or even sourced from the local device analogue or digital input where you have other backup audio sources onsite.
- Monitor
and control via web-browser control interface which works on any device, SNMP traps
and queries, E-mail alerts, , included
software and logic level status outputs.
- Telnet style IP remote control
interface (using simple text commands and responses) easily integrates with existing automated control, management and scheduling systems.
- Incredibly
flexible and cost-effective solution.
AudioTX
STL-IP can encode your live audio using up to 6 different audio encoding types and bitrates. And can send up to 66 copies using any combination of UDP, TCP/IP or UDP Multicast
(to an unlimited number of destinations for each UDP Multicast
connection). The IP Codec system can receive from up to 5 remote units, each with different algorithms/bitrates for multiple levels of fallback and/or use SureFlow, in both cases independently from transmission.
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AUDIO
SPECIFICATIONS AND PROTOCOLS |
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Summary:
Professional
grade analogue balanced Stereo audio inputs and outputs plus
AES/EBU digital audio in/out, external wordclock input. Audio
in/out at up to 24 bit, 96 kHz sample rate.
Encode your audio up to 6 ways with 6 different audio encoding types and bitrates. Send it to up to 66 remote units or an unlimited number using multicast. |
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Mono/Stereo
audio transmit/receive using Linear (uncompressed) audio,
Lossless FLAC, near lossless J.41 and DAT12, pro-grade OPUS codec, Broadcast Quality MPEG Layer 2, MPEG Layer 3, Mono,
Stereo, Joint-Stereo, Dual-Mono operation.
MPEG4 AAC, AAC Low-Delay and HE-AAC v2 with the optional AAC
Coding Pack.
Enhanced APTx coding with the APTx Codec Pack.
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Detailed
specification: |
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Linear PCM
(uncompressed) audio: |
Uncompressed audio at 8kHz to 96kHz sample rate, 16 or 24 bit.
Mono or Stereo modes. |
Full-bandwidth
linear audio with a 5ms delay. |
FLAC
(lossless): |
High-grade
audio compression for near transparent professional audio, 16 to 96kHz
sample rate, 16 to 24 bits, Mono/Stereo. |
Variable, depends on programme type, up to 60% reduction in bitrate compared with Linear PCM. 5ms delay. |
J.41
(near lossless): |
High-grade
audio compression for near transparent professional audio, 32kHz
sample rate, Mono/Stereo. |
Mono
audio at 384kbps, Stereo at 768kbps. 5ms delay. |
DAT12
(near lossless): |
High-grade
audio compression for near transparent professional audio, 16 to 48kHz
sample rate, Mono/Stereo. |
Mono
audio at 192kbps to 576kbps, Stereo at 384kbps to 1152kbps. 5ms delay. |
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MPEG4
AAC: |
Professional
grade AAC coded audio at between 16 and 48 kHz sample rate,
16 bit, Mono, Stereo, Joint-Stereo and dual-mono modes. 24-320kbps. |
Provides
full-bandwidth broadcast quality stereo audio at bitrates between
64kbps and 320kbps. Near transparent Stereo audio from 64kbps.
150ms delay. |
MPEG4
AAC-Low Delay: |
Professional
grade Low Delay AAC at 16 to 48 kHz sample rate, 16 bit, Mono,
Stereo, Joint-Stereo and dual-mono modes. Low Delay version.
24-320kbps. |
Provides
full-bandwidth broadcast quality stereo audio at bitrates between
80kbps and 320kbps with just 40ms delay. |
MPEG4
HE-AAC and HE-AAC v2:
(High
Efficiency AAC, AACPlus): |
Offering
expectional audio quality at very low bitrates. HE-AAC coded
audio at between 32 and 48 kHz sample rate, 16 bit, Mono, Stereo,
and Parametric Stereo. 14 to 96 kbps. |
Provides
full-bandwidth excellent quality stereo audio at bitrates between
14kbps and 96kbps. 260ms delay. |
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MPEG
Layer 2 coded audio: |
Professional
MPEG Layer 2 coded audio at between 16 and 48 kHz sample rate,
16 bit, Mono, Stereo, Joint-Stereo and dual-mono modes. |
Provides
full-bandwidth broadcast quality stereo audio at bitrates between
128kbps and 384kbps. Mono audio from 64kbps. 45ms delay. |
MPEG
Layer 3 coded audio: |
Professional
MPEG Layer 3 coded audio at between 16 and 48 kHz sample rate,
16 bit, Mono, Stereo, Joint-Stereo and dual-mono modes. |
Provides
full-bandwidth broadcast quality stereo audio at bitrates between
128kbps and 384kbps. Mono audio from 64kbps. 125ms delay. |
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OPUS: |
Professional
quality OPUS voice and music modes at between 8 and 48 kHz sample rate,
16 bit, Mono, Stereo modes. |
Provides
full-bandwidth broadcast quality mono or stereo audio at bitrates between
32kbps and 510kbps. 20ms delay. |
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ADPCM: |
Professional
quality compression, 32kHz or 48kHz sample rate, Mono or Stereo
mode. |
Mono
audio at 128kbps or 192kbps, Stereo at 256kbps or 384kbps. 5ms
delay. |
G.722: |
Good
quality algorithm for speech/voice with a 7.5kHz audio bandwidth.
Runs at 16kHz sample rate. |
Mono
audio at 64kbps. 5ms delay. |
LB-1: |
Extra
Low-Bitrate speech codec offering 7.5kHz audio bandwidth. Runs
at 16kHz or 24kHz sample rate and a range of bitrates determine
quality. |
Mono
audio from 12kbps. 40ms delay. |
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APTx: |
Enhanced
APTx Coding - low delay, high quality compressed audio, choice
of 16 or 24 bits. |
Bitrates
range from 64kbps to 576kbps. 9ms delay. |
Source
audio selection: |
User-selectable
channel inputs to audio transmission modules - Left channel,
Right Channel, Stereo or MonoMix (L+R).
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** AAC Codec Pack required for MPEG4 AAC types, APTx Codec Pack for Enhanced APTx coding.
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NETWORK CAPABILITIES AND SPECIFICATIONS AND OTHER FEATURES |
Supports
all IP networks including Telco, MPLS, Private/Dedicated circuits,
LAN/WAN, Satellite, Wireless (incl. WiFi), ATM, T1/E1 and
The Internet for IP codec operation.
Network modes: UDP, TCP/IP, UDP Multicast modes
Audio transmit/receive bitrates between 24 kB/s and 4.6 mB/s
Optional transmission of ancillary serial data at up to 57600
bps, up to 4 in / 4 out GPIO (contact closures)
Optional use of 2 types of FEC (forward error correction) and/or network
jitter compensation/safety buffer configurable in 1ms increments
from zero to 60 seconds
Encode your audio up to 6 ways with 6 different audio encoding types and bitrates. Send it to up to 66 remote units or an unlimited number using multicast. |
Monitoring
and control via:
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Web-browser control interface.
- SNMP
traps and queries.
- E-mail
alerts.
- Telnet
style IP remote control interface (using simple text commands
and responses).
- Included
software.
- Logic
level (TTL) status outputs.
Built-in
silence and audio overload detectors. |
SureFlow for up to 5 independent, redundant multi-streams, sent using one or more available networks/connections.
- Up to 5 redundant streams, encoded using any of the audio coding types and at any bitrate.
- Streams can be sent using the same or different networks/connections.
- All streams are independently decoded at the receiver and each individual sample of audio is chosen from the best quality available according to your stream priorities.
- Individual streams can use switchable FEC (forward error correction), encryption.
- Network
jitter compensation/safety buffer configurable in 1ms increments
from zero to 60 seconds.
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Virtual Networks:
- Give STL-IP up to 6 different IP addresses each with their own subnet, DNS, gateways.
- Can be used to send audio over different networks/connections/routes with or without SureFlow
- Can be used to separate audio and control data.
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Backup audio options - in addition to SureFlow.
- Receive audio from up to 5 different sending units for multiple levels of fallback.
- Switch to audio playback from files stored in the unit (files can be updated remotely).
- Choose to receive an internet webstream as a backup source.
- Use live audio from the local analogue or digital inputs as backup audio.
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256 bit audio encryption:
- Government grade 256bit audio encryption using your own passphrases or direct key entry.
- Guarantees the source of your audio so you know it's 'you' at the other end - essential for internet connections.
- Secures your audio in confidential applications.
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Custom/project based options.
- MPEG TS output (MPEG SPTS, Single Programme Transport Stream).
- MPEG Raw encoding output.
- IEEE 802.1Q VLAN support.
- Others on request.
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AUDIO,
NETWORK & DATA CONNECTIONS |
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Analog
audio inputs: |
Stereo
balanced inputs, 2x XLR (F) |
-18db
nominal signal level. +18db at analog inputs = 0dbFS (digital
full scale). |
Analog
audio outputs: |
Balanced
Stereo outputs, 2x XLR (M) |
-18db
nominal signal level. 0dbFS (digital full scale) = +18db at
analog inputs. |
Digital
audio input: |
AES/EBU
digital input, XLR (F) |
Input
accepts both AES/EBU and SPDIF type of signals. |
Digital
audio output: |
AES/EBU
digital output, XLR (M) |
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Clock
input: |
Wordclock
input, BNC. |
System
clock-source is user-selectable: internal clock, wordclock input
or use clock from incoming AES/EBU source. |
GPIO: |
TTL
level inputs (4) and outputs (4) plus an additional 4 status
output signals, D-Sub 25 pin connector. |
GPIO
TTL inputs & outputs provide end-to-end transmission of
signals from transmitting to receiving units. |
Ancillary
Data: |
RS-232
serial connection for ancillary data in and out, D-Sub 9 pin
connector. |
Serial
data can be transmitted/received alongside audio at up to 57600
bps. |
Network
Connection: |
RJ45 Ethernet connector. |
10/100
Ethernet connection for TX, RX audio and web-management interface. |
AC
Power: |
96-264
VAC, 50-60Hz autosensing for worldwide operation.
DC Power option available.
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